Two tweets from Wilson especially caught my attention:

Mike Wilson's first post about the Denver plane crash he survived

And then, a couple of hours later…

Mike Wilson reflects on a similar bullet he dodged earlier

…Next I was making breakfast, listening to Colorado Public Radio, which was (of course) reporting on the Denver airport accident. They followed that with a story that stopped me cold for a bit: Witnesses, Families Remember Lockerbie Bombing. Yes, today is the 20th anniversary of the bombing of Pan Am flight 103 — a terrorist attack that killed 259 on the plane and 11 on the ground.

On the evening of Dec. 21, 1988, I was a 22-year-old journalism student packed up and ready to head back home to NJ after spending a semester in London. I’d been at the office Christmas party for the business magazine where I’d been interning. When I entered the house I’d been sharing since August with five other students, my housemates who hadn’t yet departed for home were sitting in the living room, crying. Mindy said, “Diane’s plane crashed”…

My onetime college housemate, Diane Rencevicz, on the victim’s list of Pan Am flight 103. She was 21 when she died.

Diane Rencevicz was a fellow Temple University student. She was the quietest heavy metal fan I ever knew, and I didn’t know her well. We merely shared a house for a few months. But I liked her well enough. And I was stunned to think that, at 21, she was suddenly dead.

In fact, she’d died taking exactly the same flight that Linda (my other housemate) and I were slated to take the very next day: Pan Am 103.

The next few days happened in slow motion.

In the morning I visited a local hospital to get tranquilizers for Linda, who was so distraught she could barely speak. I remember dropping my key through the mail slot of the lovely terrace house we’d rented on Moscow Road in Bayswater. Linda and I took a cab to Heathrow airport, where we bid Mindy farewell. While we were waiting at the gate, there was a bomb scare and everyone evacuated briefly to the parking lot. Really bad timing.

Eventually we got on the mostly-empty plane and flew across the ocean to JFK. My legs trembled the whole flight, I kept getting up to pace, and the flight attendants kept making me sit down. I remember their expressions, they’d just lost several friends and had to keep functioning. I didn’t argue with them, and they weren’t angry with me.

My family met me at JFK airport. My mom was crying. Lots of people were crying. I was exhausted. They took me home to NJ. Christmas happened. I attended mass with my family at the Catholic church down the street. The priest mentioned the bombing and I felt numb. Even though I was a news junkie, I avoided the news for weeks.

A few days later, Linda and I attended Diane’s memorial service. There, I was stunned to learn that Diane had an identical twin sister. Maybe I’d known that before, but I’d forgotten. Never in my life did I have such a strong feeling that I was seeing a ghost. That really shook me, more than anything else about that experience.

WHY NOT ME?

I dodged that bullet for the most mundane and human of reasons. Linda is a methodical person, and she made our flight arrangements. I didn’t want to depart for London on my birthday, so we agreed to fly out the next day, on Aug. 22, 1988. We were staying in London for four months. So Linda scheduled our flight home for exactly four months later, on Dec. 22.

And that’s really why I’m here today.

I have very strange, mixed feelings about this experience. Not getting killed in that bombing did not change my life in any dramatic way — except that I continued to live, and I felt more aware of others who don’t get to do that. I became very aware of chance, and randomness. For a while, flying made me very nervous. Then that fear wore away.

Soon after I returned home I was introduced to Stacey, who’d be my closest friend for several years. She introduced me to her ex-boyfriend Tom, whom I married a decade later. I worked for a bad book publishing company in Philly, then a business magazine on the Main Line outside Philly, and then lived very briefly in north Jersey, and then moved to Boulder in 1995.

Since then….

Some of my sisters and cousins had kids, and one of my nieces now has kids of her own. My brother survived leukemia. My grandmother died. My parents aged, sold the home where I grew up, bought a smaller home nearby, and are doing well.

My career took off in interesting, independent, entrepreneurial directions. It’s been feast or famine, but never boring. I’ve done work I’m proud of, and made some humbling mistakes. I’ve helped, inspired, frustrated, confused, and annoyed people.

I’ve backpacked on the Continental Divide and camped under buttes in the Utah desert. I once got a 2-hour foot massage in a Beijing hutong, I left an Amsterdam Indonesian restaurant at 10:30 pm while it was still daylight, and I grazed breakfast at a farmer’s market in Rome. For a few days I lived blissfully on tapas, tempranillo, and flamenco with a friend in Barcelona.

I have many friends around the country and in several parts of the world. I learned to kickbox, and I learned how to live as a polyamorous person in a monogamous world. I’ve seen my body and mind change, for better and worse. I’ve generally gotten much stronger and more flexible, in almost every way. I’ve laughed a lot. I’ve hurt a lot.

And I just kept breathing. By chance, because Linda was methodical enough to make four months mean exactly four months.

WE ALL DODGE BULLETS

This isn’t the only bullet I’ve dodged. I remember at least two occasions when I was nearly in bad car accidents. And who knows about the near-misses I never even knew about. It just so happens that in my life I dodged one particularly famous bullet that warrants public remembrances in national media. I feel sadness for the people who died in and above Lockerbie that day. And I feel anger for the people who willfully took those lives.

But mostly, it just feels weird. Surreal. All the stuff I’ve experienced and done since that day, my place in the overlapping ripples and flow of life… it could have ended, right there.

And someday it will end. That’s certain.

I just didn’t happen to be on the plane that blew up. That’s all. I dodged that bullet. It doesn’t feel like a miracle, or grace, or even that I was “saved” by chance. It’s just how things happened to go for me. And it reminds me how very different life can become, very quickly.

Each moment is its own world, and one moment does not always determine the next. We have no choice but to roll with that. But we can choose to be aware of the ubiquitous possibility of instant, drastic change.

When I tune into that awareness, my life is much richer. It doesn’t necessarily make more sense, but it feels more meaningful.

“We have believed – I have been taught — that there are two scarcities in society: talent and attention. There are only so many people with talent and we give their talent only so much attention — not enough of either.

“But we are shifting, too, from a culture of scarcity to one of abundance. That is the essence of the Google worldview: managing abundance. So let’s assume that instead of a scarcity there is an abundance of talent and a limitless will to create but it has been tamped down by an educational system that insists on sameness; starved by a mass economic system that rewarded only a few giants; and discouraged by a critical system that anointed a closed, small creative class. Now talent of many descriptions and levels can express itself and grow. We want to create and we want to be generous with our creations. And we will get the attention we deserve. That means that crap will be ignored. It just depends on your definition of crap.”

This is so, so true…   One of the things that I find most encouraging about this era of media evolution is that every day I encounter a wider variety of unexpected jewels. Many of them are rough, or nascent. But they’re there, and I can find them if I look for them.

Even more importantly, I get to discover what resonates with me — and with other individuals. I don’t have to just settle for the kind of content I’m “supposed” to like (i.e., serious objective journalism, crisp professional audio, slickly produced video). I can focus on what I really like — and what has meaning to me. By getting to define my own criteria for “quality content,” I get to challenge my assumptions and expand my concept of who I am, and who I could be. My world is much richer for it.

This is exactly why I’ve always enjoyed going to see local music performances practically at random, while abhorring commercial radio for music discovery.

(NOTE: I originally posted this article on Poynter’s E-Media Tidbits. But I thought Contentious readers might be interested in it, too.)

Most of what I do is help journalists and news orgs wrap their brains around the Internet. Generally I enjoy that work. Lately, though, I’ve been getting quite aggravated at the close-minded and helpless attitudes I’m *still* encountering from too many journalists about how the media landscape is changing. Those attitudes are revealed by statements, decisions, actions, and inaction which belie assumptions such as:

• The only journalism that counts is that done by mainstream news orgs, especially in print or broadcast form. Alternative, independent, online, collaborative, community, and other approaches to news are assumed to be inferior or even dangerous.
• Priesthood syndrome: Traditional journalists are the sole source of news that can and should be trusted — which gives them a privileged and sacred role that society is ethically obligated to support.
• Journalists and journalism cannot survive without traditional news orgs, which offer the only reliable, ethical, and credible support for a journalistic career.
• Real journalists *only* do journalism. They don’t dirty their hands or distract themselves with business and business models, learning new tools, building community, finding new approaches to defining and covering news, etc. As Louisville Courier-Journal staffer Mark Schaver said just this morning on Twitter, “[Now] is not a good time [for journalists] if you don’t want your journalism values infected with marketing values.”
• Journalistic status and authority demands aloofness. This leads to myriad problems such as believing you’re smarter than most people in your community; refusing to “compromise” yourself professionally by engaging in frank public conversation with your community; and using objectivity as an excuse to be uncaring, cynical, or disdainful.
• Good journalism doesn’t change much. So if it is changing significantly, it must be dying. Which in turn means the world is in big trouble, and probably deserves what it will get.

There’s a common problem with all these assumptions: They directly cut off options from consideration. This severely limits the ability of journalists and journalism to adapt and thrive…

I realize that right now is a scary time for journalists who crave stability. I have immense sympathy for good, smart people (many of whom have families to support and retirements to plan) who fear the unknown. Many of the news orgs that have sheltered and supported these journalists as they ply their craft are crumbling due to their inability or unwillingness to adapt their business models — leading to layoffs, buyouts, attrition, dwindling resources, overwork, and general demoralization.

I also know — first hand — that the prospect of learning new skills can be daunting. (That’s why, after all these years, I still don’t speak any language but English, and I still don’t know how to write computer code.) Plus, many of us have spent lots of money on j-school and many years in professional journalism honing our writing and reporting skills. We don’t *want* to learn how to think like an entrepreneur, or an information architect, or a community manager! We just want to keep doing what we know how to do; we didn’t sign up for all this extra stuff.

And I also understand journalists’ pride in the unique nature and value of our work. I wouldn’t want to live in a world that didn’t include solid reporting done by skilled journalists. That’s why I’m so passionate and persistent about helping to move journalism forward.

However… Even though despair is a natural result of prolonged fear and difficulty — when too many people in any culture are in despair, that culture can easily become toxic (overwhelmingly negative to the point of becoming self-destructive or self-defeating).

It’s worth looking over the Adbusters special series, Toxic Culture USA, by Kalle Lasn and Richard Degrandpre. Pay special attention to the research bibliography, citing several studies relating to the prevalence of despair and depression in certain communities and how that has a strong negative, destructive effect on those communities.

If this was nearly any other industry undergoing a sea change, I think my compassion and patience for the impact of workers’ despair would last longer. But regarding journalists, my personal patience is starting to wear thin.

The way I see it (and I’m far from alone in this view), right now is a time of immense opportunity for journalism and journalists to take on a broader and even more vital role in society. It’s a chance for journalists to not only continue doing good work, but maybe also to have more impact than ever before. If they can make this progress within updated, adapted news organizations, fine. But if not, they can find ways to do it independently, collaboratively, or by founding new supporting institutions or businesses.

Plus, new approaches to journalism can simply be more fun. As a group, journalists don’t seem to have nearly enough fun. In particular, engaging directly with your community can be fun and rewarding. Learning to monitor and improve the spread and impact of your work can be fun. And the process of learning anything new at all also can be a lot of fun. In fact, that basic craving for continual learning is what drew many of us to journalism in the first place. Remember that?

Yes, we need to solve the immediate problem of updating our business models, tool set, and skill set. This doesn’t have to be arduous — it can be playful. I’m looking forward to the NewsTools conference later this week to help address some of these issues in a constructive and (dare I say it) fun way.

Here’s the heart of the matter: Journalists (more so than most other professions) are supposed to be fundamentally curious and profoundly interested in what’s happening around them. Right now is no time for despair. It’s time to stop discouraging each other and start applying our innately enterprising abilities to our own field.

And let’s have more fun while doing it.

Just a few minutes ago, Jeremiah Owyang posted to Twitter:

“Is your blogging reducing due to Twitter usage? It has for Adam Stewart.”

…So I hopped over to see what Adam Stewart had to say. This part of his post rang true for me:

“Generally, one line of thought often turns into a blog post. With Twitter, that one line of thought becomes a small post that speaks for itself, and it feels like old content once I release it into the Twittersphere.”

So I commented:

“Yeah, I’ve definitely noticed this effect re: my personal blog Contentious.com. Hasn’t hurt the blogs I run for clients, but the cobbler’s children has no shoes. Honestly, I generally find Twitter more personally useful and satisfying than blogging. Can’t sum that one up in 140 characters, so I guess I’ll have to blog it. But at least now, while I’m wrangling with a heavy workload, Twitter gives me a way to vent some of my compulsion to converse and share with the people who seem to be the core audience of my blog anyway.”

…As I imbibe more green tea and think this through further, I remember that blogs have always been an awkward tool to satisfy my deepest desires for conversational media. Yeah, I love to write — but I tend to find quality conversation far morerewarding and satisfying than merely writing. Despite all Twitter’s limitations and weaknesses (which are many) I find it to be a superior conversational media tool. In many ways.

Of course, I’m sure that whatever conversational media tools crop up in the next few years will be even more versatile, robust, and usable. I’m looking forward to being part of that evolution. What about you?

…By the way, I really hate the fugly mechanistic term “user-generated content.” Can’t we just call it all “contributed content?”

As I mentioned yesterday, tomorrow I’m giving a session about online political coverage called "Tools of Engagement: It’s a Conversation, Stupid!"

I’ve been collecting a lot of "string" for this talk, and I won’t pretend I have it thoroughly organized. That’s fine — I tend to mostly improvise my sessions based on what the attendees need and want most at that moment.

Here, then, are a bunch of links to site I’ll probably want to mention tomorrow…

READ THE REST OF THIS PIECE, and comment if you like, over at my other blog The Right Conversation…

I’m in Los Angeles right now, where on Thursday I’ll be giving a session at a Knight New Media Center seminar on Election ‘08: Covering Politics in Cyberspace.

My session is called: "Tools of Engagement:  It’s a Conversation, Stupid." No, I didn’t come up with that title, but I really like it. My audience will be a mix of journalists, online-media pros, geeks, and political experts. I hope they’re ready to talk, because I don’t really do lectures; I start conversations.

I’ll admit, in my journalistic work I’ve generally avoided covering elections — for good reason. Generally, the way most news orgs handle that assignment bugs the hell out of me.  The press conferences, the pundits, the posturing, the race metaphors… in all that, communities, issues, and the real workings of government tend to get pushed into the background. It feels fake and even counterproductive to me. I’m tired of it, and for the most part I tune it out.

That’s not to say I tune out politics. On the contrary, I follow certain aspects of politics very closely: local, state, national, and international. And I do note how elections affect the politics that interest or affect me. However, I don’t believe elections should garner the lion’s share of political coverage.

It seems to me that the best political coverage is ongoing, not cyclical. Ideally, coverage of elections or other political events should support and enhance the public conversation about issues and communities.

To accomplish this with online political coverage, I think we need to get our priorities straight. Here are some thoughts on how we might do that, so we might collectively avoid turning the 2008 election season into a complete three-ring circus…

READ THE REST OF THIS ARTICLE, and comment if you like, over at my other blog The Right Conversation…

Having to assign a year to a copyright notice makes things rather confusing in online media. For instance, In a blog or any other site where fresh content regularly appears, there typically is a date assigned to each item (at least in the metadata, if not displayed). But then… there generally is a visible copyright notice that appears throughout the site and is managed by a template. So if you look up archived content from previous years, you’ll view the older content on a page that bears the copyright notice for the current year.

That doesn’t make much sense to me…

My colleague Steve Outing recently reminded his readers to update the year in their online copyright notice. This made me wonder whether a year is really a legal requirement. So I looked it up. Here’s what the US Copyright Office says:

Visually Perceptible Copies

The notice for visually perceptible copies should contain three elements. They should appear together or in close proximity on the copies. The elements are:

1. The symbol © (the letter C in a circle), or the word “Copyright,� or the abbreviation “Copr.�; and
2. The year of first publication. If the work is a derivative work or a compilation incorporating previously published material, the year date of first publication of the derivative work or compilation is sufficient. Examples of derivative works are translations or dramatizations; an example of a compilation is an anthology. The year may be omitted when a pictorial, graphic, or sculptural work, with accompanying textual matter, if any, is reproduced in or on greeting cards, postcards, stationery, jewelry, dolls, toys, or useful articles; and
3. The name of the owner of copyright in the work, or an abbreviation by which the name can be recognized, or a generally known alternative designation of the owner. Example: © 2004 Jane Doe

However, the Copyright Office also says that any work of intellectual property is automatically considered copyrighted from the moment it is created. Therefore, no notice or registration is necessary in order to claim copyright for a work:

“No publication or registration or other action in the Copyright Office is required to secure copyright. …Copyright is secured automatically when the work is created, and a work is ‘created’ when it is fixed in a copy or phonorecord for the first time. ‘Copies’ are material objects from which a work can be read or visually perceived either directly or with the aid of a machine or device.”

So: Considering that the web is a medium that allows a work to be visually perceived “with the aid of a machine or device” (a computer, Blackberry, etc.), I gather that publication to the web — or even just saving a word processing file — constitutes “creation” of a valid copyrighted work.

…Yes, it’s true that registering your copyright helps a lot if you want to actually be able to legally defend your copyright. But even the government acknowledges that this is a legal formality, not a prerequisite for copyright protection.

Seems to me that this is a case where, once again, media-related law has fallen drastically behind the current state of media.

This is why my copyright notice for this site (see the right-hand sidebar of any page on Contentious) does not include a year. I don’t know whether that makes my notice “invalid” in any legal sense — but since my copyright protection doesn’t require a notice, then so what? Every item I post to this blog is displayed with the date of publication. I figure, that’s enough to clarify the date issue.

Even better: A dateless copyright notice means I have one less picky task to perform every January.

What do you think of this approach? Please comment below.