I’ve long been frustrated with how stuck-in-the-mud much of the news industry and many journalists regarding their own business models or career path. Seems to me, the key skill to survive and thrive in chaotic, disruptive times is adaptability.
Here’s a great example of adaptability: How the much reviled flavor-of-the-month web startup Chatroulette has found a way to make money off its inevitable tide of exhibitionists:
“Chatroulette can’t fully wean itself off nudity yet. “You’ll still see some naked men, about one every hour,” Ternovskiy says. Of the roughly 500,000 visitors Chatroulette receives daily, about 10% are males itching to show their business. So Ternovskiy parlays that business into profit.
“Everyday, about 50,000 new men are trying to get naked,” he says. “What we’re doing is selling the naked men to a couple of websites–it’s an investment for us.”
When users flag someone enough times for indecent behavior (by clicking a button), the offender is automatically transferred to a partner site. Thanks to deals with adult dating services like FriendFinder.com, Chatroulette is earning cash hand over fist from the referral traffic.
“Basically, once we detect a person is naked, he’ll be kicked from our service to another website,” Ternovskiy says. “So, we’re actually getting revenue from naked men right now.”
Many people are debating the ethical implications of this issue. However, I’m wondering about the practicalities and possible opportunities.
If the NYT (or any news organization) does decide to point out when sources offer inaccurate “facts,” HOW might they accomplish that? Might there be good options, especially online, that could serve this purpose in addition to inserting relevant text into stories?… Continue reading →
There are few things I love more than a brilliant parody. This spoof commercial, by commercial director Jesse Rosten, shows exactly why plastering media with unachievable ideals of feminine beauty hurt women. Which sounds like a really heavy point to make. But this is fun. That’s the art of really making a point.
Furthermore I encourage everyone else to do likewise. Especially if you’ve had your own web site or blog under its own domain name for several years. But even if your only online presence is via a third-party service like Facebook, WordPress.com, or Tumblr (where you don’t have your own domain), I still encourage you to post a link to SpreadingSantorum.com.
Talk about a long-term investment in search visibility that is REALLY paying off! Here’s how it works…
Thought you were going to escape the holidays unscathed? Think again! I’m actually in the holiday mood this year, and I’m not afraid to inflict it on others…. Muahaha…
This is an early animation by Terry Gilliam, from Christmas 1968. Laughing Squid posted it to Tumblr this morning.
Every since my brother introduced me to Monty Python when I was about eight, I’ve been enamored with highly visual absurdist humor. And I especially adore Terry Gilliam’s ability to upend our assumptions of space, time, place, scale, and intention.
We live in an unpredictable world, where meaning shifts drastically as context changes. We’re forever falling into a new picture frame, and parts of other pictures intrude rudely upon ours. Laughter is the best way to stay afloat amidst chaos. And there is always, always chaos.
Probably like most people, I’ve been hearing about the Occupy movement through media, both news coverage and social media. I won’t pretend to understand it, I haven’t been following closely. But it has bugged me how I keep hearing that the movement lacks clarity and focus.
Yesterday I listened to an excellent Radio Open Source podcast episode. Christopher Lydon interviewed Mark Blyth, a political economist at Brown University, about what he’s been learning about the Occupy movement by talking to protestors in Boston — and putting it into a global economic, social, and historic context that I found sobering.
One point Blyth made that particularly struck me — and that I especially wish every journalist would take to heart — is this: The labor movement didn’t come out of nowhere. It didn’t spring into being fully formed with collective bargaining and arbitration procedures. It coalesced gradually, in fits and starts, from a society struggling with the “volatility constraint” that comes with rampant inequality.
Birth is messy. Infants aren’t born talking in complete sentences. So don’t look at the Occupy movement expecting this:
Boticelli's "Birth of Venus"
After listening to all the context Blyth offered, I suspect we’re watching the earliest phases of a different kind of labor movement: the labor pangs that precedes the birth of something that might eventually walk and talk. Something that probably won’t go by the name “Occupy.”
I only hope the world can collectively raise this baby right.